Death Qualified
Produced by Alison Freeland
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Notes From Allison Freeland
I've worked on a lot of stories about changes in people's lives. This story happened during changes in my own. Close to two years ago I left the life of a radio reporter in Vermont and went to work in public relations at a start-up company in North Carolina. It was there I heard Amy talk about being on a death penalty jury in North Carolina. The case concerned a 17-year-old boy with a gun, and a 16-year-old victim. His guilt wasn't in question, but his punishment was. By the time Amy's story turned into a Transom submission, the technology job was over, and my family was moving back to New England. I made the last audio edits late at night, sitting on a porch chair in an empty kitchen with the moving truck in the driveway. A few hours later, the Internet connection was turned off.

Johnston County Courthouse
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It took a while for me to focus on this story, because I had stopped thinking of myself as a reporter. Nevertheless, Amy and I worked together, and I was curious about her experience. She invited me to her house after the trial was over, and as an afterthought I brought along my old radio equipment. By the time I realized she was telling an unusual tale with unusual genuineness, it was too late to go back and set up with the attention to detail I should have. It was just two of us sitting at a kitchen table, with me periodically waving my fingers to remind Amy to hold the microphone closer to her mouth. I felt there was only one take, and I didn"t want to interrupt. I hoped the tape recorder was working.
After I listened to the tape, I mentioned it to a former public radio editor of mine named Steve Young. His enthusiasm for the material helped me snap back into reporter mode. I put together a rough piece and submitted it to Transom using the only radio voice I remembered, that of a news reporter. Jay Allison worked with me several times to flesh out the more accurate voice of co-workers talking. Then came the technology hurdles as I was rusty with my radio skills, and had no access to familiar equipment. With support from Josh Barlow at Transom, I went through a one-day, crash course in multitrack editing and the use of free conversion and ftp software. After a final, late-night edit, I submitted the piece to Transom and locked the door on the North Carolina house. When someone asks what I'll do next, the word radio comes to mind.
Equipment
I recorded Amy on my Sony D8, using a Beyerdynamic Mic that I bought while
working as a radio reporter. The mic jack has never
fit the Sony well, and I get terrible static if the
plug moves. The headphones were something inexpensive
I picked up at Radio Shack. I bought a USB audio interface
called Waveterminal U2A in order to load the sound from
my DAT recorder into my computer. My computer is a Dell
Latitude laptop. I loaded the sound bites into Cool
Edit Pro, and did multitrack editing. After downloading
free software from download.com,
I used Cdex to convert my wav file to MP3, and then
used LeechFTP to transfer it to Transom.
Being on deadline is not the ideal time to learn how to edit and mix sound at home, but it was certainly motivating. My husband figured out how to get the sound from the D8 recorder into the computer. I recorded my tracks facing into the winter coat closet. Editing for the first time on a PC meant that I wasted hours saving tracks in the wrong format, losing tracks completely, and not being able to move them about as freely as I wished.

Alison Freeland
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About Alison Freeland
When I look back at the span of college courses I took decades ago, they are eclipsed by the brief time I wrote news broadcasts for the college radio station, and the stories I covered for an alternative city newspaper during my senior year. Since then, I've worked in various ways to tell other people's stories. I'm a long-time freelancer in print and audio, author of a few non-fiction books, and ghost writer of articles and speeches. The freelance life is unsettling in many ways, but has accommodated the raising of two children and a family life that has always struck me as non-negotiable.
Related Links
North
Carolina Case Summary on Lamorris Chapman
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work provided by the

with funding from the
and
The National Endowment for the Arts
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