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WALTER MURCH
Walter Murch

  • The Walter Murch edition of the Transom Review
  • Walter Murch in TALK

    Walter Murch has been honored by both British and American Motion Picture Academies for his picture editing and sound mixing. In 1997, Murch received an unprecedented double Oscar for both film editing and sound mixing on The English Patient (Anthony Minghella), as well as that year's British Academy Award for best editing. Seventeen years earlier, he had received an Oscar for best sound for Apocalypse Now ( F. Coppola), as well as British and American Academy nominations for his picture editing. He also won a double British Academy Award in 1975 for his film editing and sound mixing on The Conversation (F. Coppola), was nominated by both academies in 1978 for best film editing for Julia ( F. Zinnemann), and in 1991 received two nominations for best film editing from the American Academy for the films Ghost ( J. Zucker) and The Godfather Part III (F. Coppola).

    Among Murch’s other credits are: picture editing for The Unbearable Lightness of Being (P. Kaufman), Romeo is Bleeding (P. Medak), First Knight (J. Zucker), The Talented Mr. Ripley (A. Minghella), and K-19: The Widowmaker (K. Bigelow).

    His most recent credit is for Cold Mountain (Anthony Minghella) for which he received an Academy Nomination for Editing, and British Academy Nominations for Editing and Sound Mixing. He is currently working on Jarhead for director Sam Mendes. The film, from the novel by Anthony Swofford, will be released in November 2005.

    He has also been involved in film restoration, notably Orson Welles’s Touch of Evil (1998), Francis Coppola’s Apocalypse Now Redux (2001), and Thomas Edison's Dickson Experimental Sound Film (1894).

    Murch was also sound effects supervisor for The Godfather (F. Coppola), and responsible for sound montage and re-recording on American Graffiti (G. Lucas), The Godfather Part II (F. Coppola), and Crumb (T. Zweigoff), as well as being re-recording mixer on all of the films for which he has also been picture editor.

    Murch directed and co-wrote the film Return to Oz, released by Disney in 1985.

    Between films, he pursues interests in the science of human perception, cosmology and the history of science. Since 1995, he has been working on a reinterpretation of the Titius-Bode Law of planetary spacing, based on data from the Voyager Probe, the Hubble telescope, and recent discoveries of exoplanets orbiting distant stars.

    He has also translated into English a number of previously untranslated works by the Italian novelist Curzio Malaparte.

    Murch has written one book on film editing, "In the Blink of an Eye" (2001) and been the subject of two recent books: Michael Ondaatje's "The Conversations" (2002) and Charles Koppelman's "Behind the Seen" (2004).

    Walter Murch Links

    FilmSound - Walter Murch Articles & Interviews:
    www.filmsound.org/murch/murch.htm

    Time Magazine - An Article about Jean Shepherd:
    www.time.com/time/columnist/corliss/article/
    0,9565,168458,00.html

    Film Freak Central - A Conversation w/ Walter Murch:
    www.filmfreakcentral.net/notes/wminterview.htm

  • The Walter Murch edition of the Transom Review
  • Walter Murch in TALK

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